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‘We worship our trees and rocks’

The story of a village collective that is tapping decades-old laws to financially empower tribal villages

Roli Srivastava

Deekshith R Pai

Zendepar, a tiny hamlet of 300 residents, is the latest village in Korchi taluka (cluster) in the lushly wooded Gadchiroli district to exert its legal right on forest land. It has ventured to do this on the back of rare wins scored in recent years by neighbouring villages—victories that were extracted by tapping into decades-old Indian laws which enshrine these rights but have remained poorly understood and implemented.

In 2017, over 90 villages like Zendepar came together, forming a union of sorts called the Maha Gram Sabha or Federation of Villages. The collectivising has given them not just numerical strength but also awareness of their right to stake a claim on the trees and rocks they have co-existed with for generations but had no ownership of until the laws kicked in.

 This union of villages is now using India’s laws that grant them rights over the forest to guard their green cover and monetise the produce, which has arrested migration from villages.

Authors

  • Roli Srivastava is a Mumbai-based journalist and reports on just transition, gender, migration and inclusive economies, focusing mainly on India’s marginalized communities. She has worked with the Thomson Reuters Foundation, where she was Climate and Just Transition Correspondent, India, and major Indian newspapers including The Hindu where she was Deputy Editor and The Times of India where she was Editor, Special Projects. She has won the Fetisov Journalism Award and the Laadli Media and Advertising Award for Gender Sensitivity for her investigation on a health scandal in rural India robbing women of their wombs. She undertakes training workshops for journalists.

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  • Deekshith R Pai is a freelance documentary photographer and writer, with a primary interest in the development sector focusing on stories around communities, gender, livelihoods, and ecology. He is also a film enthusiast and writes about films through various social lenses.

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